Hindi Pakeezah Movie Is 2
This movie is 2 hr 33 min in duration and is available in Hindi and ur languages. Inhe zameen par mat rakhiega.maile ho jaayenge”Pakeezah was released on and was directed by Kamal Amrohi. “ Aapke paun dekhe.bade haseen hain. A girl, whose mother dies of sorrow from her husband's family's. Unfortunately, his wealthy parents are against their union. Pakeezah is the story of a beautiful courtesan named Sahibjaan who is unable to break away from the cycle of prostitution until a young forest ranger named Salim falls in love with her enthralling beauty and innocence.
His attention falls on a lady who was sleeping peacefully. On getting inside the compartment, he hears the jingling sound of an anklet, in sync with the rhythmic sound of the moving train. Pakeezah was a 1972 Hindi film starring Meena Sajan Re Jhoot Mat Bolo.Your feet are extremely beautiful ! don’t let them touch the ground.lest they be soiled.A tall and dashing young man is seen boarding a train. This phrase from the movie Rock Dont Stutter Meaning in Urdu. For such movies are destined to be what they are classics that attain an immortal quality of remaining etched in the mind and.
He acted in very few movies when compared to his contemporaries and his portrayal of Saleem in 'Pakeezah' is one of his most memorable roles.Hindi cinema especially those from the so called golden era had a penchant for courtesans and nautch girls. The role of Sahibjaan was enacted by Meena Kumari, the greatest tragedinne of Hindi cinema.'Pakeezah' also has the sad distinction of being the last movie, Meena Kumari acted in, before she bid adieu to this world.The role of Saleem, the stranger who wrote the note was played by none other than Raj Kumar, an actor who was famous for his unique acting style and dressing sense. The note forms an indispensable part of the movie and whenever there is a discussion about “Pakeezah”, the note and its contents are invariably mentioned.
There, on either sides of these lanes were the “Kothas” or brothels, where lived these infamous nautch girls. Whenever the word courtesan is mentioned, the first thing that we are reminded of is the colourful and vibrant alleys of the old city of Lucknow. In movies, like Devdas and Umrao Jaan the entire story revolves around the lives of these unfortunate women.
Every art form and literature is a reflection of the society at that point in time, music being no exception. Over the years life became fast and mechanical. People had enough time for the finer aspects of life. The songs are so ideal for the situation that one wonders whether the songs were composed for Pakeezah or Pakeezah was made to fill up the small pause or silence between the songs.Life in the olden days was simple and slow paced. There are six songs in this lyrical saga and each one of them is par excellence.
His unfinished work , including the background score was later completed by Naushad. Unfortunately he didn’t live long enough to see Pakeezah reach the silver screen. He had conceived Pakeezah as a musical and inspite of the difference in opinion and resistance from his friends and well wishers , he chose Ghulam Ahmed to compose music for it.GhulamAhmed, who had once worked as an assistant to Naushad, belonged to the older generation of music directors. Starting from the movie “Mahal” he had never shied away from taking the uncharted path. Their creations were getting replaced by the fast and catchy songs by R.D.Burman and Lakshmikant Pyarelal.Pakeezah was directed by Kamal Amrohi, the estranged husband of Meena Kumari. The slow and melodious songs by the likes of Madan Mohan, Naushad, Roshan, C.Ramachandra etc hardly had any takers.
Kamal Amrohi was an educated man and had great interest in poetry and literature. Kamal Amrohi became a regular visitor at the hospital where Meena Kumari was being treated and very soon love blossomed between them. The movie got shelved, but there were better things in store for both of them. Unfortunately, soon after the contract was signed, she had a road accident , and was bed ridden for four months. He offered her the lead role in “Anarkali”. Meena Kumari had by then blossomed into a beautiful young woman.
Though Kamal Amrohi was an orthodox man he agreed to let Meena Kumari pursue her passion for acting, albeit with certain conditions. When her father came to know about this union he got very angry and asked his daughter to leave Kamal Amrohi.Instead she chose to leave her house forever and went on to live with her husband. In spite of the age difference and the fact of him being a married man they secretly got married in the year 1952.
Kamal Amrohi, the perfectionist had picturized every shot, every set and every camera position in his mind, before the work began. Many years later Sunil Dutt and his wife Nargis happened to watch the old but incomplete reels of Pakeezah and on their insistence Pakeezah was given one more chance.Of the twelve musical gems that were presented to Kamal Amrohi by Ghulam Ahmed, only six were included in the movie. As a result of this, shooting of Pakeezah was again stopped. But, by the time shooting for the movie restarted, his marital life with Meena Kumari had hit rock bottom. Hence after the advent of cinematoscope , he discarded his entire previous work and started shooting Pakeezah once again in cinematoscope. Kamal Amrohi wanted nothing but the best for his movie.
“ Inhin logon ne” , the very first song of the lot introduces us to the sad life of a courtesan. This was not an easy task if one considers the fact that she was already in the final stage of liver cirrhosis which made her look bloated up and very old.As mentioned before, the six songs by themselves are more than enough to give an outline of the story of Pakeezah. Meena Kumari had never looked as beautiful as she did in Pakeezah. On his part Kamal Amrohi kept his promise.
Watching Meena Kumari in Pakeezah, it’s very hard to believe that she had reached the fag end of her life. More than the happiness and glow of a newfound love, it is profound sadness that we see on her face, as she is reminded of the reality of her life and the enormous social distance separating her from her lover.The next song is Thade Rahio which is again what is popularly known as a “mujra”. The song ends with the shrill whistle of a train, which reminds Saahibjaan of the fateful train journey that had changed the course of her life forever. The lines “ Chalte, Chalte.Yun Hi Koi Mil Gaya Tha” can be roughly translated as, “ while walking through the lanes of my life, I got to meet someone”. In this song, the background shows a similar building where yet another nautch girl is seen dancing, almost imitating the steps of Meena Kumari.The song “ Inhin logon ne” is followed by another famous and evergreen song, “ Chalte Chalte” which happens soon after the train journey. Kamal Amrohi was a dedicated man and he had a keen eye for details.
Unfortunately, by the time the shooting of the song started Meena Kumari was hospitalised. The song was supposed to be picturised on Rajkumar and Meena Kumari. If we are to pick one Hindi song befitting this night, it is “ Chalo dildar chalo”. Let us imagine two lovers walking hand in hand under a moonlit sky with the moon and stars being the only witnesses to this rendezvous of theirs. These are ' 'Mausam hai aashiquana”, Chalo dildar chalo and the last song “ Teere Nazar Dekhenge”.“ Chalo dildar chalo” is the only duet song in the movie. In many scenes and dancing sequences she was too weak even to stand up and Kamal Amrohi had to alter these scenes.The remaining three songs take place after Saahibjaan meets Salim.
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